Цитата:
Сообщение от AML+
Вчера получил из америки два DVD :
Великие дирижеры Третьего рейха:
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Анатолий Маркович, такой?
http://torrents.ru/forum/viewtopic.php?t=1413590
Только не плюйтесь сразу - там на форуме по поводу диска очень толковое и интересное обсуждение, из которого выясняется, что концерт 19 апреля, на котором Фуртвенглер исполняет "девятку" Бетховена, таки был записан полностью на шеллаке:
The source is problably from Private off-the-air recording on seven 12-inch 78rpm "Decelith" discs (14 sides) - The sound are not very good with very limited frequency response, distorsion but it's a MAJOR HISTORICAL release and the ONLY SOURCE AVAILABLE.
Symphony No.9 in d minor, op.125 'Choral'
19th Apr. 1942, Philharmonie, Berlin
* with Berliner Philharmoniker, Bruno Kittel Choir, Erna Berger(S), Gertrude Pitzinger(A), Helge Rosvaenge(T), Rudolf Watzke(B)
* from CD : Archipel ARPCD 0270
Notes by Y.Lee ] Newly discovered, and the eve concert of Hitler's 53rd birthday. Thanks to Dr. Sweeney & Mr. Lehtonen, and the famous Furtwangler expert Mr. Henry Fogel ascertain this performance is different from 22~24th Mar. Berlin live.
This is what Henry Fogel wrote about the April 19 performance in October 2004:
"I have listened to the Beethoven 9th on Archipel (ARPCD 0270) which claims to be a first release of a Furtwangler Beethoven Ninth, from April 19, 1942. It appears to be exactly what it claims to be.
I compared it directly with the known wartime performance from a few weeks earlier (March 22-24, 1942), and it is definitely a different performance. But its interpretive outlines are so similar, its force personality so strongly individual, that there can be no doubt it is Furtwangler.
This is the special performance that was given in honor of Hitler's
birthday. It is followed by a radio announcement identifying the performers.
Is it worth owning? That depends on the degree of your interest in
Furtwangler. In many ways, the sound here is similar to that of the more famous wartime recording, although there is a level of hiss and noise that distracts in soft passages. But the sound has actually more color and bite than the other 1942 performance, though a bit more distortion, particularly in softer passages.
The performance has the same ferocity as the earlier wartime one,
except even more so. The final coda is an outburst the likes of which I have never encountered -- it is crazed, almost completely out of control. It must have stunned the audience, because there is a surprising silence before the applause start.
The soloists are for the most part different, only bass Rudolf Watzke
is the same. Erna Berger here sings much more beautifully than Tilla Briem ; Helge Rosvaenge is the equal of Peter Anders. The mezzo here is Gertrude Pitzinger, but one hardly remembers the mezzo.
I think serious Furtwangler collectors will want this because of its
huge importance as an event in the conductor's life. Michael Tanner's notes discuss the occasion -- how after many years of managing to avoid the Hitler birthday concert, Furtwangler was forced by Goebbels to conduct this one. This is one of the things that has been held against Furtwangler by those who would judge him guilty for his staying in Germany. Without wishing to get into that here -- and I don't -- the fact is that this concert was clearly an event of strong, even overpowering, emotions for the conductor (I hear anger in the conducting, but perhaps that's me), and it makes this performance unique.
Henry Fogel"
А CD с этой записью можно найти здесь:
http://www.arkivmusic.com/classical/...album_id=94973